OK, so I can’t remember the last time I posted here. I’d love to post at least once a week, but designing takes so much time that I don’t know when I’d write! And there’s running the business, kids’ schedules, you know. 😉 Anyhow, I was recently interviewed by a colleague, Michael Dowling, for his newsletter, The Write Stuff. He’s a fantastic editor, ghostwriter, and publishing professional. If you’ve ever wondered whether book design is a luxury or necessity, you’ll want to read this article. http://www.michaeljdowling.com/newsletters/2014-08-three-things-success-book.html. You may want to sign up for his newsletter, too, as it always contains great info about publishing and writing.

I’d love to know your experience with book design, good or bad! And I’ll do my best to start posting here much more often. Thanks bunches and blessings to you. 🙂
Tam

Series covers designed by TLC Graphics

Designing a successful series is all about planning — for the publisher and designer. This task can be an added challenge for your designer, as graphic elements and typography must be created to specifically work for future volumes.
At the beginning of the project, your designer will want to know the longest and shortest titles in the series to ensure titles of every size will fit in their allotted space. Color schemes will be developed. Each book can carry an identical color application or the books’ colors may vary while staying within the determined color palette. A series must be visually branded. To achieve this, often a logo for the series is created as seen in the examples above. Finding several photos or illustrations of the same style, shape, and/or size will also be important for future volumes. Design parameters are more strict when creating a series, but with thorough planning, your volume of books can reflect a valuable and saleable brand, asking customers to keep coming back for more.

By alerting your designer up front that your book is or may be part of a series, you can ensure branding consistency from book to book. You should save money on the design of each book cover after the first, as adapting the pre-planned design will take less time than starting from scratch or trying to adapt an established “one-time-use” design to a series.

– Tami

Which is a more salable book cover? While the first has a striking photograph, the second is the better choice. A good — or great — photo does not make a great book cover. After grabbing your attention, the rest of the cover does nothing to encourage a sale. Many have asked if the girl is dead! The title is difficult to read and has no attention-getting value. The subtitle in the pink vignette is also difficult to read, cuts the bottom of the cover in half, and leaves nothing interesting below. Speaking of that dead space, where’s the author’s name?

The second cover is well-organized and has an attractive photo that’s encouraging to readers. The title is fun and highly readable. There are “girly” aspects to the cover without it becoming too soft and frilly. It’s a great balance between business-like (for the informative aspect) and attractive to the female crowd (a majority of its potential buyers/readers).

A Promise to Our Child book cover

Finding the right designer for your next book is an important decision. Because the front cover is a book’s billboard (attracting attention), the back is its advertisement (giving basic information and calling for action), and its interior is the final force driving a buyer to the register, you should never skimp on a book’s cover or interior design. Following are a few tips to help you begin the design firm selection process.

Ask other publishers
•    Was your deadline ever in jeopardy because of the designer? Why? What was done to fix the problem?
•    Did you ever feel uncomfortable working with them?
•    Was your designer open to your ideas as well as providing their own?
•    If you provided any initial cover design ideas, were they built upon or discarded completely? (A good firm will provide at least one layout using your idea and several more with her own.)
•    If you asked for specific revisions, how did he or she react to your request?
Ask potential designers
•    How many years of experience do you have designing books?
•    How many books have you designed? (You want to find someone with plenty of experience.)
•    Do you work with a contract? Insist on this!
•    Be sure to know the fixed and potential additional costs and payment schedule in advance.
•    How many front cover ideas will I receive?
•    Do you provide press-ready files to the specifications of my printer? (Don’t hesitate to ask to speak with printers that have worked with the designer you’re considering.)
•    In what format are your design proofs delivered? (PDFs are standard.) What if I’d like to have hard copies?
•    What types of elements are important to you when designing a book’s interior? (Good answers should
include: typefaces, leading, kerning, margins, widows and orphans. Also avoiding common typing errors such as: using double spaces after sentences, using proper dashes, using curly or smart quotes instead of straight quotes, using proper ellipses, etc.)
•    If your cover design firm will be different than your interior layout firm, be sure they’re willing to work together to ensure a cohesively-designed book.
•    Can they also create electronic versions of your book?
•    Do you have other service providers to recommend or handle for me? (Illustrators, printers, editors, etc.)
•    Who retains the copyright to the design? If it’s the designer, don’t let this frighten you, as this is common. You should expect to have full usage of the cover image for your promotional usage at no charge. Under no circumstance should you turn over rights to your entire book or manuscript, however!
•    Will I receive a production schedule? Mention any reasons why you might need your front cover design or finished books in-hand by a specific date.
•    Will you be available to help design promotional materials once the book is finished? If not, be sure the designer is willing to provide at least cover files to another designer for this purpose.
Things to Remember
•    A good designer will want to know about your book as well as your company’s goals and will show interest in both.
•    If you and a potential designer don’t “click” during your initial conversation, move on. There are plenty of good book design firms out there and at least one is right for you and your project.
•    A good firm will recommend another design firm if their schedule is too full or if they feel your book does not fit with their style.
•    Remember that you’re hiring this person not only for artistic talent, but for their industry expertise. Trust their instincts, but don’t completely ignore your own.

We think the book design process should be an enjoyable part of producing your book. If you choose the right firm to join your team, everyone will have a great time and produce a book that’s ready for today’s marketplace.